Stan’s Obligatory Blog

Today was the dedication and open house at the new Gold Line Operations Campus in Monrovia. So Carla and I took a short bike ride out there to go see it. We figured it’s our one chance to get to see inside and close-up.

It’s not all that far away, so we rode a little extra on the way there, and we arrived just about when the politicians were starting their speeches. While they were talking, we walked around and looked at things. They had one of the new-style trains parked there, sticking out of the train wash building. It had a nice little steel platform on top of the coupler on the front of the train, so I wanted to get my picture taken sitting on it. I figure that I’ll probably never get another chance to sit there on the train again.

After the outdoor speeches, the herded everyone into the shop building for more speeches. They had a couple of trains parked inside for us to see, and we got to see the maintenance area where they had catwalks to get on top of the trains, and the tracks were elevated to get underneath.

After all that, we headed back, stopping in the parking lot on the way out to look at the Messerschmitt KR200 someone had driven there. That was one weird little car.

This was a short ride, but interesting sights to see.

21 miles.

A couple years ago, we went to see “Pulp Shakespeare” in Hollywood at Theater Asylum. Since then, I’ve been on their mailing list, and this week I got something about some small shows they were putting on this weekend. I read the synopsis about “Working for the Mouse“, and it sounded funny, so we got tickets. The basic story is that it’s a one-man show by Trevor Allen recounting the time he spent working at Disneyland as some of the costumed characters.

It was all really funny and entertaining, and if he brings the show back to L.A., we’ll go see it again. Looking on YouTube, I found a few clips he posted of excerpts from the show. Here’s one about his time working as the Mad Hatter, which he said was a step up from being Pluto, since he didn’t have to wear a full head, and he also got to hang out with Alice:

If he ever brings this show anywhere near you, go see it.

Google Maps updates their aerial views every so often, replacing the old images with newer ones. And I see that they updated the views for Pasadena recently. So what are the odds that the aerial photos they would update with would just happen to have been taken on the afternoon of April 24th, 2014, when a horrific two-truck crash completely closed the eastbound 210 freeway and also took out the Metro Gold Line light rail tracks?

http://www.myfoxla.com/story/25334177/big-rig-crash-on-210-freeway-one-rig-overturned-on-metro-gold-line

Today, Lucinda and I went on the Dearly Departed Tour. This is the Hollywood tour that takes us to all the spots where the stars died, as well as a stop at the Pierce Brothers Westwood cemetery, which is the final resting place of many of the biggest stars in Hollywood. I took her on the Helter Skelter Tour about the Manson Family last year, so it seemed like it was time to do the regular tour now.

We had a nice brunch at Off Vine before the tour. That’s still one of my favorite restaurants. Then we headed over to the tour office on Sunset Boulevard. The tour showed us a weird collection of locations, including Bela Lugosi’s last apartment, the apartment in West Hollywood where Marilyn Monroe lived for a time, and the bit of sidewalk in front of the Viper Room where River Phoenix collapsed and died. In between, we had a stop at Pierce Brothers in Westwood, where we saw many of the most famous stars’ graves. And we weren’t even the only parent and kid group on the tour. There was a mother and son, about our ages, who were visiting from somewhere in the midwest. They had even gone so far as to be staying in the motel room where Janis Joplin died. They were making it a complete death-pilgrimage experience.

We had a nice time on the tour. And on the way home, I let Lucinda drive my car for the first time. It was actually her first time driving on the freeway, and she did pretty well at it.

Years ago, I saw an episode of Huell Howser’s show where he visited the giant wisteria vine in Sierra Madre. And now that I’ve been living two miles away from it for 20 years, I figured it was time to go see it. So today was the “Wistaria Festival” in Sierra Madre. They deliberately spell it that way, although I have no idea why. But they have a big street festival in the center of town, and the yard where the vine is growing is open for tours.

The story is that the vine came in a 1-gallon pot, and it was planted about 120 years ago. It grew up and over the original house, crushing it. A new house was built off to the side, and the owners constructed a steel trellis for the vine to grow on, and it now takes up two whole lots. The festival is timed to coincide with the relatively short time it spends blooming every spring. So we went to the festival and had lunch before heading up the hill to see the vine. And yes, it’s big. It covers most of the space between two houses. It’s not obvious from the street, since I’d ridden my bike down the street by the vine a few weeks ago, when I was scouting out where the trail to Jones Peak started. After taking in the vine, we walked back down the hill and browsed around the festival a bit more before heading home.

Today’s bike club ride was another trip to North Hollywood to check out the barrel-shaped restaurant. We’d gone to see this in January when it was being renovated, but I’d read recently that it was finished and open for business. So it was time to go see it again.

There’s a spot on Riverside Drive where businesses park their trucks as advertising while they’re not being used. There’s the “Hot Topless Maids” van, and today there was also a junk-hauling truck. And thanks to reality TV, apparently now “Extreme Hoarding” is a thing.

When we got to NoHo, the barrel was all out in the open and nicely refinished. We were able to peek in the windows and see the inside, and it really looked pretty good.

After looking at the barrel, we continued on up Vineland Ave to Chandler, where we stopped for snacks at the Panera across the street from the Metro Red Line station. That was where we’d caught the train home three weeks ago when the ride was rained out.

Heading back on the Chandler bikeway, we came across a big group of people running around in circles carrying medicine balls. I guess that’s one of those fitness boot camp things. I think riding the bike is just more fun. And we get to cover a lot of ground. And today, I finally got my photo-op riding the shaggy dog sculpture in Burbank. That makes for a companion to the time I got to ride the rattlesnake sculpture in Rattlesnake Park or when Lucinda was a little kid and like to ride the little fox sculptures in the park downtown.

On the way back on Riverside Drive, we saw that apparently Rene Magritte has a hamburger stand now. It must be, because the sign clearly says “Not a Burger Stand”.

44 miles.

Here’s the route map and elevation profile.

A couple days ago, I ran across this article:

la.curbed.com/archives/2015/03/spotlights_los_angeles_marathon_route.php

The plan was to put up 27 powerful searchlights along the Los Angeles Marathon route from Dodger Stadium to Santa Monica, and have them turned on for about 90 minutes on Friday night. Of course, in their artist’s conception, it looked pretty cool. While it remained to be seen how good it would look in person, I was curious.

I figured that any suitably high overlook would be mobbed with people trying to see, so I thought that hiking up Mt. Hollywood in Griffith Park might be a good alternative. There’s usually a small crowd up there on any normal night, but regardless, I figured the fact of having to hike several miles to get there would ‘thin the herd’ a bit. So in the end, I went there with Karina, Morgan, and Jason from my office, and we hiked up the back side of the mountain.

This was my first time hiking this mountain since 2011. We went by way of the ‘anklebreaker trail’. I don’t know why they call it that, since it’s not a bad trail by any means. In any event, it was a fine way to get up the mountain, and we were at the top in just about one hour. At the top, there were a lot of people. More than on a regular evening, but still nothing like the crowds that had to be down below at the observatory. Looking down, I could see the road up to the observatory, and it was packed solid with cars, and nobody was moving. So I was glad not to be there.

We broke out some snacks while we were waiting for the 8:40 to come around. I put my camera on the tripod and took some test photos of the city lights, just to get a feel for how different exposure times would come out. I started at 1/30 and went up to a full second, and I figured that the longer exposure would give the best results. Fortunately, between the tripod and the remote shutter release, I was able to keep the camera very still for the shots.

When they turned on the searchlights, it wasn’t as spectacular as the artist’s conception. If there had been more haze, it would have been better. But I started taking pictures, and with some more experimenting, I found that by pushing the exposure time up to 6-8 seconds, I could get the lights to show up pretty nicely. So I took several photos looking toward the marathon start near downtown, and several more looking toward Santa Monica.

We looked at the lights for a little while before we had to head back down so we could be out of the park before the closed the gates at 10:30. On the way down, I stopped and took one more picture of the lights, this time with the mountain blocking the city lights. For that shot, I put the exposure up to 15 seconds, since I didn’t have to worry about city lights being overexposed.

On the way down, we took the fire roads most of the way. It was a little longer, but very easy to follow in the dark. And I got to try out the uber-powerful little flashlight I got last November, after Karina and I got caught in the dark on the way back from Cucamonga Peak. It worked quite well, so I was happy. This was a pretty fun little adventure.

Back in 1978, I rode in the Bouquet Canyon Road Race, which was a bicycle race that went up Francisquito Canyon, across through Green Valley, and back down Bouquet Canyon. And at the time, I remember us riding up the canyon, and then, where the road went through a narrow spot, I saw great chunks of concrete next to the road. It was obviously the rubble from some great structure that had met an untimely end. So, years later, I looked it up and read about the St Francis dam and its collapse in 1928. And today, the Obscura Society was doing a tour of the site.

We met up at the fire station that is below the dam site, and next to DWP Power Plant #2. They had a small exhibit with photos of the dam both before and after the collapse. Our guide for the tour was Ann Stansell, who has studied the disaster, and who wrote her thesis about it. After looking at the photos and at the power plant, we all headed up the road to just above the dam site.

The old road through the canyon that I remembered riding on had been washed away in about 2005, and a new road was built around the washed-out section. So we met up at the top of the abandoned section of the road, and then we walked back down the canyon to the actual dam site. Along the way, we saw the foundations of a small hotel that had stood in the canyon before being flooded out when they started filling the reservoir.

When we got to the dam site, we could see the big piles of concrete rubble that I’d seen in 1978. It was all more overgrown now, but still an impressive pile of rubble. While we were standing there, I had a look at the west wall of the canyon. That was the rock that was implicated in the collapse, as it is a soft rock that I was able to break apart with my hands. In the final report on the collapse, it was described as “a reddish conglomerate which, even when dry, was of decidedly inferior strength and which, when wet, became so soft that most of it lost almost all rock characteristics.”

The group was going to climb up to the remains of the wing dike on the hillside above the west wall of the canyon, but before doing that, I followed Sandi down into the rubble field to see the big chunks of concrete.

After looking at the rubble close-up, I headed up the hillside to catch up with the group. They’d said that it was steep, and kind of a hard climb. But I figured it couldn’t be much worse than climbing skyscraper stairs, and I was able to catch up with them. And at the top, we got to see the remains of the wing dike. We walked out to the end of it, and from there, we could look across the canyon and visualize what the dam looked like when it was still standing. It was really pretty large. Ann also pointed out that the trees growing in the part of the canyon that used to be the reservoir are much greener and thicker than the ones below the dam site. She said that during the few years that there was a reservoir there silt collected on the bottom, and apparently the trees like that.

Leaving the dam site, we headed downstream a few miles to see the Ruiz family cemetery. A large number of the Ruiz family members were killed in the flood, and they were all buried there. The cemetery itself is on a small hill, so it was just above the level of the flood waters.

Last March, we had a chance to take a tour of the Hyperion sewage treatment plant. When we were there, they mentioned that there is another plant in Van Nuys that treats some tens of millions of gallons of wastewater every day, and it’s the reason why the Los Angeles River has water in it year-round now. And this week, the Obscura Society people set up a tour of it. The Tillman plant is quite a bit smaller than Hyperion, but it has the distinction of having a nice artificial lake and a Japanese garden outside, and the main building was used as the exterior shot of Starfleet Academy in several episodes of “Star Trek: The Next Generation”.

When we got there, they put us in hard hats for the tour of the plant. Just as at Hyperion, the headworks building was pretty smelly. From there, the water went to the aeration tanks, which had big brown frothy mats of bacteria floating on top. Yick. We were all a bit horrified by the life preserver rings they had next to each tank. But I guess the only thing worse than falling into a tank of sewage would be to fall into a tank of sewage and drown. That would be worse than being a drummer for Spinal Tap. After that, the water went to skimmers that skimmed off the floating material and whatever settled to the bottom. And finally, the relatively clear water was chlorinated to kill bacteria, and then de-chlorinated before being released into the lake, to Lake Balboa across the street, and into the L.A. River.

After the plant tour, a second docent took us on the tour of the Japanese Garden. And yes, he said that the choice of the garden’s name as “The Garden of Water and Fragrance” was deliberate. He took us around, pointing out the various birds, and the rocks and plants, with some attention to the aesthetic goals of how things were set up there. Along the way, we stopped in at the Tea House, which was used for filming a scene from “Austin Powers: International Man of Mystery“. Apparently, the garden gets filmed a fair bit. Finally, we walked around the outside of the lake and over the zig-zag bridge.

It was an interesting and entertaining tour. And hey! Starfleet!

I went out for a little ride today. Mostly because I needed to stop by my office and water the plants, but also just because it was a nice day. So after leaving the office, I kept riding. When I was near the Rose Bowl, I saw signs for “Air and Style”. I had no idea what that was, but when I was crossing the bridge that’s just up the hill from the Bowl, I looked over and immediately stopped. I saw a giant ski-jump ramp, covered in what I guess is shaved-ice fake snow, and guys on snowboards going down it and flying through the air. This was sufficiently bizarre that I had to alter course and go down the hill to see it better. I watched for a bit, just marveling at how big the thing was, and how the guys going down it seemed to treat it like it was nothing special. So there’s always something weird going on around here. I like that.